My favorite things: While this doesn’t dip into the supernatural they way that Sing did, it still traces similar themes that I was hoping to find. Each character experiences specific manifestations of systemic racism unique to their era but undeniably tied to those of the other generations. The lines between each are clear, with the desperation escalating in younger characters. The people missing from each character’s life have almost as much of an impact on their stories as do those who are present.
Who it’s great for: Fans of family histories that trace multiple generations. Readers looking for writers telling complex stories of the African-American family; fans of Jesmyn Ward, Tayari Jones, and Angela Flournoy.
What it’s about: A modern southern gothic story set in a contemporary rural Mississippi Gulf Coast community chronicling a family’s struggles with poverty, addiction, incarceration, and the ghosts of past injustices.
What made me pick it up: I read Ward’s early novel Salvage the Bones last year and was excited to pick up her newest work.
My favorite things: Sing, Unburied, Sing is beautifully written and almost painful to read from the first page. The climax, however inevitable, left me stunned and heartbroken – but I’m here for it. The saddest parts of Ward’s stories don’t feel like cheap shots or emotional manipulation the way writing sometimes comes across. Instead, it feels honest and necessary. I love the way she seamlessly incorporates ghosts and spirits into the fabric of this family’s life.
Who it’s great for: Southern gothic readers; fans of Beloved.
What it’s about: Think Winter’s Bone meets a politician’s pre-campaign book release and that’s pretty much what you’ve got.
What made me pick it up: Let me start by saying that I’m not from Appalachia, but I grew up in a much more economically stable (read: college town) community nearby. Growing up I was acutely aware that there was a sharp economic and cultural divide between families associated with the university and those from working-class backgrounds that had been around for generations. That is to say that I am not from the community Vance is discussing, but I have lived most of my life in close proximity to another part of Appalachia and have been consistently disappointed with the way it is represented and talked down to by people who want to ‘save’ it. When I saw the rave reviews for Hillbilly Elegy I was excited to read a voice from within Appalachia speaking about it.
My favorite things: Okaaaay. I did not love this book. I probably should have read reviews a bit more closely, but I wasn’t prepared for this book to be quite so politically charged as it is. Maybe I read it this way because I am inclined to disagree with nearly all of his conclusions, but it seems to me that Vance has incredibly little compassion for the members of a community he professes to love. Vance spends the first chunk of the book singing the praises of his hillbilly Mamaw and Papaw and then subtly, and perhaps not intentionally, turns toward a much more critical discussion of the challenges faced by these communities. What I am struggling with the most is that this book is being read and celebrated as universally true for people from Appalachian communities when it is definitely not. Vance’s Appalachia is comprised of people who would rather talk about working hard than actually work hard, suffer addiction due to poor choices, and are – apparently – all white.
Abby recommends: Look, everybody seems to be reading this book right now and many are taking it as a universal truth for Appalachian life and poverty. So, definitely read this, but then read bell hooks’ poetry in Appalachian Elegy.