What it’s about: The last living dinosaur and the little girl who lives next door and is trying to prove he exists.
What made me pick it up: A coworker gave this five stars on Goodreads so I had to see what all the fuss was about.
My favorite parts: No one has ever really noticed a dinosaur living nearby. Why not? Because they are too busy! It was a gentle reminder to look up once in a while and really notice what’s going on around you. You might see a dinosaur! I also like the tenacity of the little girl. No one believes the dinosaur she keeps talking about exists but she doesn’t give up. Parts of this are hysterical and I won’t ruin the dinosaur’s best joke for you. It’s more illustration heavy than text heavy, which is perfect for beginning or struggling readers. And for avid or older readers, it goes very quickly. I finished it in like 20 minutes tops. Then I immediately checked it out to Abby. It’s so good it must be shared.
Who it’s great for: All ages, but especially curious, imaginative, and/or literacy-challenged young readers.
What’s it about: A graphic novel adaptation of Laurie Halse Anderson’s 1999 young adult novel of surviving and struggling with the trauma of sexual assault.
What made me pick it up: I almost didn’t pick this up because the original novel was so devastating, but when I realized Emily Carroll (creator of Through the Woods) was the illustrator it I knew I couldn’t pass on it.
My favorite things: I appreciate that the story has been updated to be current and relatable to today’s readers. The graphic novel format centers and celebrates the importance of art in Melinda’s survival and recovery. For me, it was a relief that even though it is difficult to get through this was less devastating than the original novel.
Who it’s great for: Adults and teens grappling with understanding the continuing emotional and psychological toll sexual assault can take on survivors.
What’s it about: A graphic novel about a black teenage boy who is shot and killed by a police officer who mistook the hanger in his hand for a gun. The story follows his friends and family in the aftermath of his death and his own journey as those who have previously lost their lives to police violence lead him through the process of understanding and accepting his death.
What made me pick it up: A colleague put this on hold for me because she thought I was probably going to read it anyway.
My favorite things: Alfonso Jones is shot on the first page, but his story doesn’t end there. I love that we still get insight into his life and that the authors take the time to remember the details of the lives lost to police violence like Amadou Diallo and Anthony Baez. There’s an interesting juxtaposition I haven’t seen in fiction before between police treatment of black and brown men who haven’t committed violent crimes and that of typically white school shooters.
Who it’s great for: A good read for teens and adults looking to understand the motive for the Movement for Black Lives. Good for fans of The Hate U Give, Dear Martin, and March.
Originally published in: 2013- English translation, the original German version was published in 2009.
What’s it about: A graphic memoir tracing one woman’s adventures traveling Italy illegally in the summer of 1984 with a friend as a 17-year-old Austrian punk with no money, no papers, and no plan.
What made me pick it up: This was new to our library and, as always, I couldn’t turn down a graphic memoir.
My favorite things: The author mixes in a few excerpts from her journals and letters that she wrote during the summer she was traveling, which makes her story feel more authentic. I appreciated how frank and honest she was about all of her experiences – no matter how painful or how many laws she happened to be breaking at the time.
Who it’s great for: Fans of gritty travel memoirs; graphic memoirs.
What’s it about: A personal memoir of surviving and recovering from an eating disorder and abuse.
What made me pick it up: I love graphic memoirs and find they are a great medium for exploring personal traumas
My favorite things: Green is achingly honest and relatable. Her art is both lovely and despondent. She sheds light on the reality that eating disorders are about more than food and that not all are textbook cases.
Who it’s great for: Readers struggling to understand mental illness in someone they love.
What’s it about: A visual biographical encyclopedia of innovative individuals throughout history.
What made me pick it up: I was intrigued when I stumbled across it while browsing an ebook and downloadable audiobook collection curated to inspire writers during NaNoWriMo.
My favorite things: Hancock believes that the objects and people that individuals surround themselves with can be very revealing. He enhances the understanding of notable historical figures by focusing on these aspects of their lives, rather than simply on their achievements. Hancock’s cartoonish drawings are an engaging jumble of small images that help to paint a picture of each subject’s life.
Who it’s great for: Readers intrigued by the daily lives of famous artists and thinkers. Fans of graphic biographies.
What it’s about: Jomny, a lonely alien, is sent to Earth to study humans in this charming graphic novel. Instead, he encounters a variety of Earth’s creatures and, through their humanity, learns some of life’s biggest lessons.
What made me pick it up: When I saw the word aliebn on a book spine I thought my fever brain was playing tricks on me, but after I took a closer look I needed to know more about these aliebns.
My favorite things: It was adorable, funny, poignant, and smart. Each of the creatures Jomny meets teaches him something new about what it means to be an individual and still be part of a community. Like the story, the art is simple but compelling. I especially enjoyed the endpapers of the book, which contained a log Jomny keeps of his adventures on Earth as well as his charming interpretations of each interaction.
What it’s about: In this second book of the Lowriders in Space series, three friends close their garage and journey to the center of the earth to rescue their cat, Genie, from Mitlantecuhtli the Aztec god of the underworld.
What made me pick it up: This was recommended and lent to me by a coworker.
My favorite things: Camper’s liberal use of Spanish vocabulary (with translation in footnotes and a glossary at the end of the book) adds depth to the story. The translations appear after only the first time each Spanish word appears and I appreciated the assumption that the readers are capable of learning terms that might be new to them. The art, making use of only blue, red, and black, is fun and engaging and has the feel of something that might have started as a (very impressive) doodle.
Who it’s great for: Tweens looking for a fun adventure with a bit of mythology thrown in the mix.
What it’s about: Set in the politically charged late 1960s Chicago, a young girl struggles to solve the mystery behind the death of her strange and alluring upstairs neighbor. She lives her life through monsters and horror films, desperately trying to escape the reality of her family’s struggles and her own outcast status.
What made me pick it up: I read a preview of this that made it sound incredible. (It was.)
My favorite things: First, let me just say that I was so pleased to find “Book One” written on the spine because this volume opens up far too many threads to close. The story is mysterious, heavy, exciting, and grim, and it pulls you in from the beginning. The art is made up of these beautifully crosshatched panels made up to look like the notebook of a young girl, and Ferris effortlessly recreates classic works of art in her own style.
Who it’s great for: Fans of graphic novels looking for monsters, murder, mystery, or history.
What it’s about: A graphic memoir exploring love, art, loss, memory, and mortality.
What made me pick it up: I can’t seem to pass up a graphic memoir.
My favorite things: Radtke’s art is done in a simple grayscale that perfectly complements her story. I loved the way she tied together her own restlessness with an examination of mortality. The way she chronicles her own loss and grief through a growing fascination with deserted towns is honest and compelling.
Who it’s great for: Readers looking for an engaging exploration of mortality and meaning. Fan’s of artists’ memoirs.