What it’s about: The author’s refugee experience escaping the Rwandan genocide and the years she spent traveling from one camp to another before immigrating to the US.
What made me pick it up: It was really well reviewed.
My favorite parts: Wamariya escapes at such a young age she almost doesn’t understand death and war and why they are walking and not stopping. She yearns her whole life to go back to her family, as it was, even as she reconnects with them. It is heartbreaking, both reading of the little girl who does not comprehend and as the adult who cannot stop grieving all that is lost. I so admire her indomitable spirit and the unbreakable will of her older sister who helped her survive through multiple countries and camps. Wamariya examines the many ways to move past trauma, especially that caused by civil war and genocide, with no easy answers only her personal truth and what she sees others attempting as well. If you are American you will feel shame for the atrocities we ignored in 1994 and the ongoing ones we continue to ignore worldwide. You will also be immensely grateful for all you have lucked into based on the geography of your birth. Mostly, you will want to help refugees any way you can.
Who it’s great for: Readers who want to learn more about the unending trauma of war.
What’s it about: An exploration of identity, community, and meaning-making in contemporary Native life. Told through multiple perspectives, there is a focus on what it means to be, as Orange describes, an Urban Indian when the rest of the world believes the American Indian story exists only on reservations and in history books.
What made me pick it up: I read a few promising blurbs. It also has a page count under 300 and my attention span is short right now.
My favorite things: I tend to love stories told from multiple perspectives, and Orange does an incredible job of tying all of his varied characters’ lives together. He also brings in his own identity as an enrolled member of the Cheyenne and Arapaho Tribes of Oklahoma to inform his characters’ experiences.
Who it’s great for: People interested in contemporary Native American voices and experiences and readers of stories that complicate our understanding of identity and the world.
What it’s about: Memoirist Corrigan uses anecdotes to impart lessons about hard things she’s learning to say.
What made me pick it up: I had listened to her on Jen Hatmaker’s For The Love podcast, and she was irreverent and funny and I wanted to learn/hear more (since she reads the audio).
My favorite parts: This reminded me strongly of The Bright Hour, if it was instead written by a grieving friend. She tells stories about the most ordinary parts of her life – fights with her spouse, disappointing her parents, reckless youthful activities – and you feel like you are having coffee with your bestie. But that’s the gem that is her writing, these tiny parts of each day and each life make up the beautiful whole. It was a great reminder that we’re all trying and if we aren’t perfectly good that doesn’t make us bad and losing people is hard, full stop. Bonus points: It’s also short and has a great cover.
Who it’s great for: Anyone who likes stories with humor and heart.
What it’s about: A young boy is forced to spend time with his grandfather, who only speaks Vietnamese, so they cannot communicate and how they find a way around that to build a bond.
What made me pick it up: It was well reviewed.
My favorite parts: It has fantastic illustrations that blend a young child’s imaginative drawings with the work of more classically trained artist. They really show how even if you speak a different drawing “language” you can work together to make interesting worlds. I loved the message that you can always find common ground with someone who seems wildly different from you.
Who it’s great for: Littles who might have a disconnect from their older relatives for one reason or another.
What it’s about: A look at the theoretical and literal outcomes of providing citizens with a universal basic income.
What made me pick it up: You’ve probably heard this come up repeatedly recently. If you’re curious about what it is or how it could work, like me, then pick up this book.
My favorite parts: Lowrey doesn’t shy away from the difficulties we would face implementing this or what caused us to get so mired in intractable social safety net programs we currently have. She does provide plenty of examples of more functional social programs abroad and how and why we might implement ones like them. Mainly, there’s no way you don’t walk away from this book without seriously reconsidering how your life and the lives of many people would be totally different if no one had to toil for their livelihood. Maybe you have to work some, but you wouldn’t worry that not working would cost you your home, health, or life. It certainly seems worth trying.
Who it’s great for: The curious. The undecided. The staunchly against.
What it’s about: The struggle to accept yourself and your life when you don’t quite fit in as a kid.
What made me pick it up: I love everything Woodson writes and was excited to see this book announced.
My favorite parts: The illustrations are lovely and really add another layer of emotional depth to the story. I was not expecting the emotional gut punch this book has about not fitting in and all the self doubt that can bring up as a young person. If your lunch, clothes, or abilities are different, or your adventures are smaller, or you have no “good” stories school can be a really uncomfortable place to be. Learning to be confident with who you are and find kindred spirits who reflect that back to you is such a gift and this book is an excellent reminder that it is possible, even if it’s hard.
Who it’s great for: Unique young ones who may doubt themselves. Anyone who remembers wondering if they were enough as a child, and hopefully found out they were.
What it’s about: How an awkward late bloomer overcomes her anxiety. Or at least tries to.
What made me pick it up: If there is one thing I love it’s other people’s late bloomer stories. As someone who feels like they got a late start on this blooming process I like to meet the other members of the club and see the ways in which they blossom.
My favorite parts: Her voice. She’s honest and funny at the same time, which is necessary given she’s talking about some big topics of mental and personal health. Also if you find yourself employing “defensive pessimism” to manage your anxiety you’ll find a kindred spirit in her tiny triumphs, big attempts, and catastrophic outcomes. Life is scary and hard. Let’s employ all our tools so our brains don’t hijack it and make it MUCHWORSE. To see a good example: pick up this book.
Who it’s great for: Anyone who wants to step outside their comfort zone, even vicariously. Anxious ones. Readers who feel like they aren’t yet at peak bloom when the world expects them to be.
What it’s about: A (former) doctor in the National Health Service in the UK on why it’s great and why it’s awful and why he eventually had to leave.
What made me pick it up: I love memoirs. I love medicine and all things miscellany about the body. And I enjoy humor writing. This had it all.
My favorite parts: This book is hilarious for the first ¾. Kay tells ghastly stories with heart and levity like you expect he’d do at any party, if he could get out of work in time to attend. Then it reverses completely and the reveal he promised you takes up the next ¼ of the book – why he left. It’s so sincere, and powerful, and profoundly sad you will be in tears. Failed relationships, rocky friendships, low pay, and no breaks bring him to his decision to walk away. Anyone who has ever had a job they invested much of themselves in for a long period of time, trained for, and overspent resources qualifying to do can relate. Now add the horrific pressure to save lives, and the catastrophic realization that sometimes you can’t.
Who it’s great for: Fans of medical memoirs, tv shows, movies/documentaries. Former or current medical professionals or their close relatives.
What it’s about: A boy who leaves his cramped, chaotic life in NYC to survive in the Catskills.
What made me pick it up: I remember this being my brother’s favorite book when we were little. I was recently talking about it and Hatchet with someone and realized that while I knew the premise and a lot of details, I couldn’t remember reading it myself. So I did.
My favorite parts: Any book that can make me feel like I’m in the middle of the woods surrounded by nothing but nature is pure magic. This not only makes you feel that way but convinces you that you, too, could forage and hunt and trap and fish and live off the land. It will make you feel carefree and hopeful and want to go take a walk in the forest. The ending is bittersweet, but strikes a good balance between the importance of self reliance and the importance of human connection. Also, this takes place in my beloved home state of New York and any reminder of the extensive natural beauty there is welcome.
Who it’s great for: Nature lovers. Adventurers. New Yorkers spread far and wide.
What it’s about: How we could all be working a 20 hour week but instead we’re creating even more useless middle manager roles, and also the history of humans and work.
What made me pick it up: It had an intriguing title that seemed like it might be…. uh…. relatable.
My favorite parts: I actually really like the historical lens this book has about how humans have done work throughout history and how we got to this “standard” 40-hour week. Spoiler: it’s a ridiculous social construct we could all agree to change, and boy do I wish we would. I do not have a bullshit job, since mine actually helps people, but like most jobs mine does have bullshit aspects. The author is actually talking about jobs that straight up have no purpose, and sometimes no real tasks, yet we keep creating more of them because of progress and capitalism. Doing nothing is more torturous to humans than extreme manual labor – as he shows. He also examines the concept of being able to monetize time and “own” someone else’s hours per day. It’s a frustrating, pointless, slavery-esque notion that we should seriously re-examine. More than anything this book might make you finally take that leap to be your own boss so you can escape this societal entrapment. Unless you, too, have student loans. *sigh*
Who it’s great for: Working adults. Anyone who wonders if there is a better way.